Olden Daze

Here's a review of our first record from the distant past by the glorious Tris McCall (he makes us feel good about ourselves):

Thursday, March 04, 2004
The Multi-Purpose Solution
Title: The MPs

From: Essex and Passaic Counties. That's what it says on the album, anyway -- the address listed in in Clifton. I know the guitar player was living in Newark at the time of release, but he's not there anymore.

Format: Full-length LP.

Fidelity: Jersey indie. Jersey independent studios and engineers have a tendency to want to isolate instruments when recording even the most ferocious rock bands, or, when isolation isn't available, to still chase after the clean sound of isolated instruments. More on this in the "what's not so good" section, but now let's get to what's good.

Genre: Post-punk/indie-rock. Multi-Purpose Solution shares many formal features with the turn-of-the-decade New Brunswick coterie of groups that spent Saturday nights at the Court Tavern and Melody Bar, and late May at the Wilmington Exchange. Think Aviso'Hara.

Arrangements: Two guitars -- one distorted electric razor of an instrument playing big chords, and another scrawling single or double-note lines over the top. Rock and roll bass and drums, some guitar processing (including a particularly effective phaser on "Combiner", and a great sci-fi sound effect at the tail end of "Superman's Flying, The Guns Are Shooting"), and backing vocals on a song or two.

What's this record about?: Lots. Destructive relationships, bodily functions, weapons, automobiles, capitalism and culture, the liminality of the artist. The Multi-Purpose Solution can't decide if their artistry and passion makes them criminals, or if it's the other way around. The lyrics spring out of the speakers with the chaotic urgency of internet rants: words are coined ("insanefulness", "sansparachuting", "freeopoly"), syntax garbled to liberating effect, screeds suddenly break into articulate Italian. Singer Jim Teacher swears, gets sarcastic, intentionally misquotes classic rock songs, talks about his major and ponders slitting his own throat. If he's wallowing, he's having a great time doing so: trying to figure out whether to participate in the modern culture or to tear it down, and letting us all in on those ruminations. "It would be so much fucking simpler/just to be criminal", he ponders, before declaring himself and his peers "jackals or businessmen", anyway. The individual tracks have the feel of open-ended intervierws with a loose-lipped poet -- clearing his throat, speaking his piece, enjoying the cadence and feel of his prose even when he's saying the most desperate things, periodically pressing "pause". Inspirational verse for all you Jersey cats: "Life's not like the Hackensack/where all the human shit gets dumped and don't come back/Life's not the Passaic/just rooting around for its own sake/there's a little American Revolution in everything we do."

The singer: Aggressive music requires an assaultive tone by the frontman. Yet I don't think I've ever heard a singer take the path Jim Teacher does. He attacks, for sure, but not in the time-honored K-ROCK fashion. Instead, he presents his narratives in a voice somewhere between a punk-rock Louis Armstrong and Tom Waits committing hari-kari. I don't know whether or not he gargles with ground glass, but Teacher's guttural ranting sounds positively painful. Did I imply I didn't like it? I love it. It makes the listener sit up and pay attention to the stories; it's ugly, fascinating, and it suits the songs and subject matter perfectly. Jesse Fuchs used to say that the trick to singing is to create a vocal sound that matches what you have to say. Jim Teacher has done that. If his performances make you think the Multi-Purpose Solution routed an articulate street crazy out of Washington Square Park, stuck him in front of the microphone, and let him do his thing, well, they've probably made their point.

The band: The guitars scrawl and stutter while the rhythm section sticks to the basics. The bass guitar plays eighth notes on the roots, the drummer keeps four-on-the-floor, and the lead guitar shoots oscillating sixteenth-note patters through the fog like signal flashes. Cymbals: big, splashy, and frequent.

The songs: Unusual; songs without a clear center but never without musical focus. Many of these compositions feint toward verse-chorus structure, but substitute tag lines for releases. Teacher's narratives don't move forward in even paces, and the music follows suit: guitarrist Brother Stephen likes to introduce musical themes and then develop them and frequently works with reoccurring patterns, but they don't always develop according to expectation. Multi-Purpose Solution songs build toward foci rather than resolutions -- toward moments of heightened intensity. Sometimes these happen at the intersection of a repeated line and a harmonic resolution, and sometimes they don't. My favorite: Teacher breaking from a black meditation on a woman's breasts to count, gruffly, from one to forty-eight.

What distinguishes this record from other records of its genre?: "Phagocyte", "scholastomy", "ontology", "trilobite": The MPs has got more ten-cent words than the last Decemberists record. The drunken, shambling intellectual is not an unusual figure in certain forms -- the blues, for instance, is loaded with them -- but there aren't many in indie rock. And there are even fewer musicians willing to follow down the thicket-filled paths Jim Teacher is determined to travel.

What's not so good?: I strenuously doubt that these drums were close-miked, but they still feel awfully separate from the rest of the group. They're either too quiet, or they hit with that "ping" so characteristic of Jersey rock production. The electric rhythm guitar and bass are often way too sludgy: they don't exactly melt into each other, they're just occasionally diffuse. The MPs is a long album -- fourteen tracks, many of which break the four-minute mark -- so a little arrangement variation would also have been useful. Hey, I'm not asking for calliopes and optigons, guys; a simple acoustic track would probably have sufficed.

Recommended?: Is there any doubt? Could I hear a stanza like "last night, everything sixty-nined/last night, all the vegans stepped in line/and I was not unkind" and not want to share that with the rest of the world?

Where can I get a copy/hear more?: Alas, the Multi-Purpose Solution no longer exists. The group called it quits in autumn 2003, and North Jersey lost one of their most interesting and unique projects. The website is still up, though, and you can download several of these songs (plus a surprising number of remixes) right here. Drop them a line at your own risk. 

In Vino Veritas

The veritas being that alcohol makes people stupid. -- Jim Teacher, "Sage Wisdom for the Ages"

The Essentials, Part 2: Brother Stephen

Brother Stephen beat me to the punch with his album list. It has more records on it than mine, to be sure, and he is characteristically eloquent about it. Read the entire jam over at his blog on stereophile.com HERE.

Interesting overlap: He and I both chose records by The Boss, the Stones, the Beasties, Belle & Sebastian, and the Pixies, but only in one case (Bruce) did we choose the same record. I guess that's as close to consensus as the band's gonna get (though I too would've throw Prince/M.J./The Lemonheads and some others on mine, were I more thoughtful and less capricious).

Read it at http://www.stereophile.com/content/101-albums.

Posted by Stephen Mejias

The Essentials, Part 1

We here at the multi-purpose solution hate lists. Making a list of the "best" of anything is the most facile way of imagining the universe--structured, hierarchical, orderly, sensical. But fuck it, we're gonna make some lists anyway.

In this case, we're making lists of the records each member of the group things is essential. One surprise: Some band members, such as Jim Teacher, listen to some real crap, and it will probably turn you off to the mps as a band if you learn this information. But as with Judgment Day, the truth must out, so here you go.

TOP 10 OR SO RECORDS TO USE IN ORDER TO BECOME JIM TEACHER

1. Iggy & The Stooges, "Raw Power" -- This one was a toss up between this record and "Fun House." I settled on "Raw Power" because of the sheer insaneness of some of the beats. I habitually listened to these albums during my senior year of high school, and, since I am a regressive fuck, this occupies my number one spot.

2. The Stones, "Exile" -- A great album to listen to while drinking and dancing with the pretty girls. Sounds like a bunch of abusers making blues-like music in a basement, which is pretty much what it is. Never gets old.

3. Hellacopters, "By the Grace of God" -- What the fuck? Why is this so high up? Because it's awesome, that's why. Shredding riffs, weird musings about God and drunkeness.

4. Urge Overkill, "Exit the Dragon" -- Again, a battle between this and "Saturation." I don't know why I can't shake this group, as some of their songs sound lazy, as if they couldn't be bothered to finish them. Opted for "Enter the Dragon" because of the dope song "And You'll Say."

5. Hot Snakes, "Suicide Invoice" -- Like cutting through shit. Utter destruction.

6. RFTC, "RFTC" -- This one's in just because of the monkey-beast on the cover.

7. Pixies, "Doolittle" -- I sometimes wonder if this band deliberately tried to make this album so awesome, or it just happened that way. I prefer to think the latter, because it's more magical.

8. Beastie Boys, "Check Your Head" -- Yeah, I listen to this shit way too much. Still have the cassette tape. "Stand Together" is some shit.

9. Alice Cooper, "Billion Dollar Babies" -- Oh Alice. This album smells like high-school vengeance.

10. Ramones, "Rocket to Russia" -- Another one of those things I included because I was obsessed with it in high school. Drama. "I Don't Care."

11. The Slackers, "The Question" -- If you can't get the awesomeness of The Slackers because "They're a ska band" (barely), you've missed out on life. This record, and "Redlight," contain some glorious songs. Ruggiero and Co. know what the fuck is up. Check "Knowing."

12. Bruce, "Born to Run" -- It's illegal to not love this album and live in Jersey.

13. Blur, "Parklife" -- I'm a sucker for some of this Brit pop shit. Again, a demonstration of how my infantile mind has never really emerged from the '90s.

14. The Clash, "London Calling" -- When I first heard this, I thought it kind of blew. But then I listened a second time, and, Oh Snap! "Jimmy Jazz," fuck you!

15. Tom Waits, "Small Change" -- One of those records that makes me feel deranged. Makes me think of Flannery's on 14th Street and Elmer T. Lee and elegant melancholy. Ugh. Did I just write elegant melancholy? See what I mean.

16. Belle & Sebastian, "Boy with the Arab Strap" -- Another example of my sad, strange love for Britpop. I blame my girl. Still, "Dirty Dream Number Two."

17. T Rex, "The Slider" -- This don't count as Britpop, right? Holy shitmother!

And that's it. Listen to these records ad infinitum (and throw in the Ghostbusters soundtrack for good measure) and you are bound to turn out a Jim Teacher.

Up Next: The rest of them

Posted by Jim Teacher

The MPS in Stereophile

I've worked as an editor at Stereophile magazine since 2000, and it's long been a goal of mine to get the band into one of our monthly issues. I was finally able to achieve that goal with the February 2012 installment of my column, "The Entry Level." It's nice when different worlds come together. You can read about the MPS in Stereophile right here.

Posted by Stephen Mejias